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On Patterns
Sometimes, we’re not able to see the patterns right in front of our faces, because we’re too close to them. One has to back up to see that there is, in fact, a pattern.
Lately, I’ve been trying to type up what amounts to a synopsis of my novel. It’s not written completely, yet, but . . . it’s for Reasons. That will become clear in the fullness of time. I was specifically trying to come up with what themes are included in my novel. I’m terrible at themes. A theme has to beat me about the head and shoulders with a dead fish before I notice it.
While I was working on that, I noticed something, and started looking at my other writing.
I have a distinct pattern. And it’s pervasive.
I shall give you a couple of examples.
A few years ago, I signed up for an eight-week writing . . . “course,” I guess? Kinda? . . . by local(-to-Atlanta) author David Fullmer. It was eight consecutive Wednesdays or whatever, and consisted of him giving us lectures, answering questions, and assigning homework, and us reading the homework aloud the next meeting. The first week, our assignment was to write a setting. To pick an interior or exterior scene and describe it so that others could see it. No dialogue. If characters are present, they’re ‘furniture.’
This is what I wrote.
I woke flat on my back and opened my eyes to complete blackness. Panicked, I struggled to sit up. Strange noises came at me from all sides, and I realized quickly that they were echoes of my own movements. I made a conscious effort to sit still and breathe normally. I listened, trying to gauge the size of the room. In the distance to my right I could hear the slow, steady drip of water into water. Plink! Plink! Plink! Plink!
“Hello?” I called, and it was redoubled and sent back at me in shards by walls an unknown distance away. I shivered in the still, icy air as the echoes faded away slowly. I was sitting on hard stone so cold it seemed to leech the warmth from my body. I felt around me with my hands, following the coutours of the rock as best I could, its surface rough and clammy against my skin.Not my best effort by any measure, but it shows the pattern: David asked for me to make readers see the scene, and the only thing I wanted to write after that was a setting in complete, total darkness where seeing is impossible.
Another example. I have a time-travel novel that is currently trunked, waiting for me to come up with a better ending. The entire thing came from my saying, “Why is it in time travel novels that it always hinges on some cataclysmic event? Why can’t the event be something ordinary, but could only be done by a certain person?” (It is still trunked because I didn’t handle that premise as well as I wanted to.)
The very first self-contained short story I wrote was from the POV of a woman who was on the losing side in a battle against her second personality. Another was about an old woman who hires a vampire to cure her dying son. Another was the typical rookie-writer ‘Adam and Eve’ story where they were AI programs created sort of by accident on a limited budget by harried programmers. In my dragon and princess story, the dragon is the hero, not the knights. In my novel series, I wanted an Urban Fantasy specifically unlike most of the others that are popular: male cast, third-person POV, characters inside the establishment/law, magic is ‘out,’ no sexy vampires or werewolves, nothing sparkles, etc. Another story evolved from me saying, “If a psychic wants me to believe in them, they need to call me at home and say, ‘Gary, you’re in terrible danger!’ and then prove it.” And then writing that very scenario.
I think my pattern is that I look at the ‘rules’ and try to find a way to turn them on their heads, at least to some extent.
And, you know, I think all writers do this to some extent. But the fact that it took me this long to see it is kind of funny, I guess. How boring would it be to read the same characters in the same stories handling the same situations in the same way, every time? (It would be like re-reading the same book over and over again.)
Now, how does that answer the question about themes? It doesn’t. At all. I suck at themes. I may have mentioned that.
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Guide to Social Media
This is a bit of a departure for this blog, but I figured, “What the heck?” and here it is. :)
Full disclosure: This was originally something I wrote on Facebook as a note. It was inspired by a comment on my friend Nick Falkner’s wall. I started to respond to Nick’s comment, and it got long, so I decided to create it as a note, instead. Another of my friends (Carol Cassara) liked it enough that she asked if she could host it as a guest post on her blog. I was (and am) quite flattered, and it ran on the 8th of December. I waited a few days to put it on my own blog so as not to steal Carol’s blog’s thunder. There may also be a few minor differences between what’s here and what’s on Carol’s blog and on my Facebook page. This is the “definitive copy.”
The characterizations herein are based solely on my personal experience with the sites. Sites I didn’t mention, I have no personal experience with. (Or I do, but couldn’t think of anything pithy to say.) Your mileage may vary, and that’s awesome. Feel free to comment with your own characterizations.
Facebook
is my living room. I’m very careful about the people I invite in. I expect them to have a certain sense of decorum and to not leave garbage all over the place. I expect people I invite in to respect me and the other people in my home. Or if not respect, at least show tolerance. Or if not tolerance, just politely ignore me/them, or come back at a time when the others are not there. No one has to agree, but you don’t have to get in anyone’s face, either. I’m not always the most gracious host because I forget others are around, but I do at least try. If I overstep, I expect to be shown the error of my ways. I have certain rules, though, and if you break them, out you go. It is my living room, after all.
Twitter
is the busiest train station downtown (the one where all the lines meet). Everyone is standing on their own soapboxes, shouting into the wind. Some of them use megaphones. A few people are gathered ’round some of the louder voices, listening intently, but most people are busy and hurry by without paying attention, occasionally looking up from their phone to listen for a few seconds, then moving on. Some people toss heart-shaped coins at speakers’ feet; others yell things at them. A lot of people are just animatronics blaring the same things over and over. A lot of people are just animatronics blaring the same things over and over. Other people just say the same things others are saying without contributing anything original. It’s kind of a mess to figure out which are which.
Google+
is the monorail station at Google HQ. Everyone is still standing on their own organic kale-boxes, but the only people listening are other geeks and nerds with the same cross-section of interests. Most everyone is wearing Google Glass, and some of them are tuning you out, even though they look like they’re in a circle around you. For some reason, a lot of people are intensely angry that they had to go through this station just to get to YouTube. It is an unnecessary stop . . .
Ello
is a bare-bones, designed community that has fallen into disrepair, and no one really goes there anymore, except on a dare. All the buildings look pretty, but if you examine them more closely, they’re all merely façades. They all say, “IN DEVELOPMENT” on the door. There are two people there, right now, wandering around on opposite ends of the subdivision saying, “Hello? Anyone there? Is anyone listening?” The guy who sold you the property led you to believe it was going to rival all the other communities, but now he’s nowhere to be found. Good luck getting a refund.
Instagram
is looking at everyone’s boring vacation slideshow at the same time. Some of them are interesting, but most of the time it’s nothing anyone would ever want to see except your closest friends and family. The occasional celebrity shows up and everyone runs over to see their boring vacation slideshow. At least there are a lot of cats.
Pinterest
is looking at all of your great-aunts’ friends’ scrapbooks at the same time. All of them. They’ve all gone a little “off” and think they’re Martha Stewart, but deep down, they’re closer to Rod Stewart. You know they’re never going to try to do any of those things they put in their scrapbooks, and if they did, they’d never show the results.
Etsy
is kiosks at Burning Man.
Snapchat
is the lunch room at the largest high school, ever. Everyone is so self-obsessed, it’s just a bunch of people standing around taking duck-face selfies and obsessing over finding just the right filter, while talking endlessly about themselves. There’s the occasional streaker, but they mostly seem to be looking at themselves, as well. No one stays for more than a few minutes, and then everyone forgets them, because me!
YouTube
is the largest cineplex ever, and people just go from theater to theater, watching videos. Sometimes, you find yourself in a theater and wonder how you got there, but it’s OK, because the “safe” ones are just across the hall. Every time you turn a corner, you find another huge -plex of related content. The cat video -plex seems to be the most popular, but no matter what your interest is, if you keep looking, there’s a whole wing devoted to just that. Every once in a while, the RIAA or MPAA will send goons in and rip films out while they’re playing, but if you wander next door, someone already posted the same video. It’s probably in Portuguese with English subtitles, but it’s there. The films vary wildly in quality because it’s free to show them. In every theater is a group of 9-year-olds who shout ‘fat’ and ‘gay’ and ‘ugly’ and ‘go kill yourself’ and ‘first!’ because they’re at the age where they think that kind of thing is funny. Sit in the front with your bluetooth headset on and ignore everyone behind you and you’ll do fine.
Vine
is an infinity of iPads set up in an infinite theater lobby, each playing a six-second video that loops continuously. People wander from iPad to iPad. And then wonder where Tuesday went. Every six seconds, there’s an enormous laugh from the people clustered around the funniest clips.
Vimeo
is pretty big, like YouTube, but the theaters are all IMAX. You have to pay to get your videos on screen, so the quality is amazing, but other than that, it’s basically just like YouTube, only not as full of 9-year-olds.
Tumblr
is a diary that just happens to be public. You pour your heart out onto its pages, and other people copy it and share it without attribution, or draw a big pink heart on it to let you know they liked it.
LinkedIn
is a break room full of water coolers where everyone you’ve ever worked with eventually shows up. Recruiters dash from cooler to cooler, desperately trying to get everyone’s attention. Every time someone gets a promotion or changes jobs, a PA announces it to the whole room. Everyone golf-claps. Occasionally, someone you barely remember shouts, “This guy/gal? S/he’s great at” some skill you don’t actually possess. You look around, embarrassed, and wonder who let them in. People you’re glad you no longer work with solicit you for recommendations and you have to pretend you didn’t hear them.
MySpace
is a 70s disco. The people who are in there have no idea it’s not 1979. Don’t tell them. It’s . . . kinder, this way. ♩♪You should be daaaaanciiiiin’, YEAH!♬
LiveJournal
is that apartment where you used to live in college, where all your friends were in and out at all times of the day and night, having lively discussions about anything. But then the Russian mafia took over the management right after you moved out. Now the security gate at the complex entrance is locked on more days than not. It’s too bad, because it used to be a really nice place.
Goodreads
is an infinite book store where readers and authors tear each other to shreds in public, while onlookers cheer with bloodlust, often turning on each other in the excitement. Meanwhile, in nooks scattered about, peaceful groups of readers and writers meet, ignoring the spectacle going on around them.
Reddit
is a bulletin board in the rec room at a college dorm. People post all kinds of crazy stuff on it, and other people can move it around so it’s more (or less) visible. People hang smaller bulletin boards off the big one, but around corners so you have to go looking. Often, if you do, you find yourself scrambling back to the main board, wishing for eye-bleach.
Hope you enjoyed. I wrote it in about 20 minutes of inspiration, not giving a lot of thought to it, and it turns out to be one of the most popular posts I have made on Facebook. Go figure. Such is the fickle nature of humor. :)
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NaNoWriMo? Again? Already?
NaNoWriMo 2015 Participant Banner Last year (2014), I didn’t participate in NaNoWriMo because . . . frankly, I 1) had no new ideas, 2) wasn’t particularly enthused with the thought of doing it again, and 3) wasn’t sure NaNoWriMo had anything left to teach me.
And this year, I was in pretty much the same mindset. Until.
Three things occurred roughly simultaneously, then a fourth one happened that pushed me to the point where I am right now; i.e., considering doing NaNoWriMo again for 2015. I’m not 100% sure, mind you, but . . . there are processes that are . . . um, processing. In my brain.
Thing the First. I went to WorldCon, thoroughly enjoyed myself (other than the trips to and from the con, that is), and decided pretty much on the spur of some moment or other to go ahead and register not only for the 74th WorldCon in Kansas City, MO in 2016, but the 75th WorldCon, as well. That one’s in Helsinki, Finland, in 2017. I’m quite excited about both of those, actually. I’ve already registered for 74 and paid my dues and all that. I’m applying for a passport in about a month for the trip to Helsinki. I already have flight alerts for both trips set up so I can get good prices. Alternatively, I check the price of driving to Kansas City, MO each Monday to see if it’s more than the price of the flight. If not, I may just drive.
Thing the Second. A friend (Karl) happened to mention on Facebook that registration was open for Paradise Lost 6 Writers Workshop. Paradise Lost is only open to people who have participated in certain other workshops (Viable Paradise, Taos Toolbox), or who are a member of Codex Writers. I am both a graduate of Viable Paradise (in 2012) and a member of Codex Writers. So yay.
Once again, on the spur of some moment I wasn’t aware of until it had passed, I registered for it. It’s in San Antonio, TX in April of 2016. I already have a flight alert for the trip set up so I can get a good price. Alternatively, I check the price of driving to San Antonio, TX each Monday to see if it’s more than the price of the flight. If not, I may just drive.
Thing the Second-and-a-Halfth. When I registered, there was the option of registering for the workshop only or the critique track. For critique, you have to read some other people’s submissions and critique them, and submit something for critique yourself. The workshop is in April. On the spur of yet another moment, I threw caution to the wind and clicked on “critique track.”
Which means one thing: I better get my butt in a chair and my hands on a keyboard.
Thing the Third. I started reading — and very much enjoying — Debra Jess‘s wonderful book Blood Surfer: A Thunder City Novel. It’s an urban science fiction . . . fantasy . . . kind of a thing. Basically, super heroes plus romance. It’s very good, so far. I’m going slowly because I’m also reading another friend’s novel at the same time, this one for critique.
Thing the Fourth. A lot of my blog posts contain this phrase, but it is, nonetheless, true: so, I was in the shower . . .
So, I was in the shower and this . . . idea just popped into my head. Not quite fully formed, but my brain decided to dwell on it during my commute to work. And while I was at work. And on my drive home from work. And as I lay in bed that night waiting for sleep. And the next morning. And . . . well, you get the point. And then, this morning, after the spectre of NaNoWriMo had been broached by the Forum Writers (my standing Tuesday night critique group), my brain went into overdrive and I dictated many ideas into my little digital voice recorder on the way to work.
I won’t go into great and glorious detail on what the idea was, but I will give you the first sentence that was what popped into my head in the shower that morning: “Hero Man often wished the press had given him a more . . . well, magnificent name.”
That’s all you get. :)
I will, however, add that all this comes just two short weeks until November 1st, which leaves me very little time to actually plan out anything, which is where my reluctance to commit comes in. Also, my Apple MacBook died. With Scrivener on it. I write everything in Scrivener. So I need to get a new laptop, regardless.
- I keep meaning to post a write-up of what happened at the con. And I have started the posts. But I keep having interruptions. (Stupid work. Stupid real life.) But I’ll get to them. Eventually. Probably.
- Debra was in Viable Paradise with me in 2012.
- I listen to podcasts on the way to and from work. The one I listened to this morning happened to be a back episode of The Round Table Podcast during which the guys brainstormed and workshopped a superhero novel. If I believed in such things, I’d think this was the Universe sending me a strong message. Good thing I don’t believe in that sort of thing. :)
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Silence, Be Broken!
So . . . it’s been a while. :) Unintentionally, mind you.
Last November, I was doing what I called NaNotWriMo, meaning that I ignored NaNoWriMo for the first time since 2008, and instead, I decluttered my office. I made it a lot better. It’s still not perfect, but it is orders of magnitude better than it was.
And then toward the end of November some stuff happened. Real-life stuff. Stuff I won’t go into. But it was enough that I didn’t want to blog or write or do much of anything else creative. So I left the office declutterization unfinished, abandoned all my writing projects, and every time I thought I had something to say, here, I’d talk myself out of it with a very old argument. “Dude, this is a writing blog. You should write about, you know . . . writing. And since you aren’t doing that, what’s the point?”
And that is how we end up at May 7th with the first post since November 18th.
But enough about that. I have ranting to get to!
What I was wondering is: am I the only one who, while reading, lets a name that appears to have several, conflicting, legitimate pronunciations throw me out of the story?
I can’t help it. Every time I see the name, I find myself pausing and thinking “Is it Lord High Emperor of Space and Time Potayto Salaad, Potahto Salaad, or Pah-tah-toe Salaad? And is it Salahd, Sah-lah-ahd, or Sah-lah-ahd?”
Yes, this kind of thing really does bother me, and it is literally every time I run across the name while reading. It slows me down and throws me out of the book. If it’s a name like Mary or Frank or Kira or even Binbiniqegabinik, there are very limited ways it could be pronounced. And in the case of that last one, it was made clear in the book what the proper pronunciation is, if I recall correctly.
A friend posted a question on Facebook, asking if she should use ‘Kira,’ ‘Brianna,’ or ‘Brienne’ as a character name. I voted firmly for Kira, because for me, those other two would cause me to read at half speed unless a pronunciation guide were given. Is the ‘i’ in ‘Brianna’ long or short? Is the first ‘a’ like the one in ‘bat’ or the one in ‘father’? We won’t even go into ‘Brienne’ and all the different ways I could find to pronounce it. I would probably have to just mentally call ‘Brienne’ something like ‘Bree’ or reading a sentence would go like this:
Brienne [Bree-en? Bree-en? Bry-en? Bry-en? Is the final ‘e’ pronounced? Gaaah!] and Gemina [Is the ‘g’ hard or soft? Is it ‘{G|J}em-i-na’, or ‘{G|J}e-mee-na’? Gaaah!] leapt into the saddle of Brienne’s [Bree-en’s? Bree-en‘s?] steed Fnaben [Dammit.] . . .
I’m guilty of it, myself, of course. On Second Life, I’m known by the name Sathor Chatnoir. Although ‘Chatnoir’ is fairly simple if you know French pronounciation, apparently ‘Sathor’ gives people fits. To me, it’s obviously Say-thor (where ‘Thor’ is pronounced like the Norse god), but when I heard people pronouncing it (we sometimes abandon typing and actually talk), people were saying it to rhyme with Dan Rather’s last name, or pronouncing the ‘Sa’ as “sah” instead of “say.” I was totally flabberghasted because to me, it’s so obvious. :)
And yeah, I know that it doesn’t matter how a name is pronounced unless there’s some poetry involved (A Elbereth Gilthoniel / silivren penna míriel . . .). I guess all I’m saying is that I like to know. Maybe it has something to do with being raised fairly early in my reading-for-pleasure life on books like The Lord of the Rings where there is an actual pronunciation guide right there in the book to tell you that the “C” in “Celeborn” is hard, or that the second syllable of “Lothlorien” is stressed.
Anyway, it’s probably just me, and this is just a rant, but at least it’s off my chest, now, and I can get back to plotting my novels and novellas. :)
You may notice over on the right of this page three circular graphs showing progress. Those are novels I’m working on co-plotting. They are the first three novels of my MCU Case Files series, and there are a lot of interwoven plots that need to all resolve by the end of Book 3, so that’s mostly what I’m working on. The current figures are only guesses, but I had to point out the cool graphs because cool.
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NaNotWriMo 2014, Day 7: Treasure!
Last night, I was up fairly late catching up on a podcast and some YouTube channels. When I went up for bed, I kept my self-promise to disposition at least one thing in the office. Since I wasn’t leaving again until the morning, I decided to shuffle some things around that I knew would either be staying in the room or staying in the room until later. Call it “consolidation” of similar items.
I moved all of my old computers into one corner. With the old printer and the old speakers, and stacked old keyboards and mice nearby. Shuffled a bunch of boxes of photos to one place. Stacked back editions of magazines together. Stacked books I’ve read together.
Etc.
Then I came to this box that I knew hadn’t been opened in quite a while, if ever. I think it has been in the room since I moved in, and has had stuff stacked on it since.
Upon opening it, I immediately recognized every item inside. Stuff I haven’t seen since probably 1999 when I moved to Georgia from Alabama.
Without even having to go through each of them laboriously, I knew I had found:
- A spiral-bound notebook from 1983 containing a travelogue I wrote while on a trip to England and France (graduation gift from my parents). Pictures from that trip. Souvenirs from that trip.
- A spiral-bound notebook I used to carry around in high school (ca. 1980-1983) and in which I hand-wrote stories in pencil. It has several in there that I had thought long lost. For the good of humanity, they shall remain so. I was amazingly, overwhelmingly, stupendously fond of utilizing really overly dramatic and annoyingly overabundant abverbs and adjectives back then.
- A spiral-bound notebook containing story notes from a novel I have had in my head since I was about eleven years old, and which eventually became my (unfinished) NaNoWriMo novel for 2008, The Third Prophecy.
As an aside, judging from the writing, I probably should have been writing the story as a screenplay. I did things very cinematically, starting the story with a wide, exterior establishing shot, then zooming in to a medium distance, and finally into a close-up of the character starting his action. That it took me five pages to get there is a testament to how far I’ve come since then.
- World maps I drew of my sci-fi/fantasy world(s) from the larger universe surrounding The Third Prophecy. The alphabet I came up with for the language spoken by one of the races on one of those worlds. Notes I wrote for the sounds of that language and several more. A few rudimentary words in said languages. The numbering system used by the race that speaks one of those languages. (Have I mentioned I was a huge Tolkien fan?) Pseudocode for a computer program to create random words for said language. (Somewhere there exists a program I wrote that, given any number, generates the words to say it in this language. Have I mentioned I’m a huge geek?)
But the pièce de résistance was another spiral-bound notebook in which I had done my “first sentence” exercise from 1995 until I got my first Franklin Planner. Archived in this notebook are probably hundreds of first lines of stories that were never intended to be written. Just looking through them reminded me how creative it felt to do that.
But if I start that again, where to put it? My planner? Evernote? Dropbox? Google Docs? Scrivener? Somewhere else? Heh! The same notebook, nearly ten years later?
Anyway, I look forward to going through these old treasures and finding a proper place to put them. Perhaps the recycle bin is best for some of it.
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NaNotWriMo 2014, Day 4
NaNotWriMo seems a lot easier on the brainpan to try to decipher than my earlier choices for what to call this month.
I’ve kept up with my plan. Every time I go upstairs in my house (where the master suite, including my office, is located), I disposition at least one thing in my office. It has even resulted in me bringing things in from outside the room, but it’s because the things I’m bringing in are part of a set of things that need to be in that room (e.g., writing books). It’s all about the ensemble, see.
Anyway, I can now actually see the top of my desk. As it turns out, there is one under there! And it’s brown! And covered with glass! Hmm. Very dirty glass. I’ll clean it later. It’ll probably get worse again before it gets better (flat surface = a place to put things that are being ‘dispositioned’).
And as far as the other thing goes — the outline — I’ve been making copious notes (in longhand; there’s just something more . . . real, I guess? . . . about making notes by hand instead of typing them). Defining world events and potential conflicts, characters and their flaws, looking for conflicts between and among them. On the way to work this morning, a gaping hole in my world design opened up and let me peer into its abyss. So I have to come up with something to plug that.
Or, alternatively, find a way to fold it into my world in a way that complements what I already have.
But at least that’s progress. I’d rather see those holes now than when my alpha readers get hold of the book and say, “Dude, really? I could drive the Death Star through this hole.”
The vast majority of clutter that’s in my office, by the way, is — get this — old critiques! It’s where I’ve handed out 1500-word segments of my stories to my Tuesday night group (The Forum Writers Group, a.k.a. The Fountain Pen 2.0) and have received back written comments. There are stacks of these going back . . . longer than I’m willing to admit, really.
Although one bonus of that is that I now have the complete text of a novella I somehow managed to completely lose from all my electronic storage. As much as I would very much like to use this as an excuse in support of paper-hoarding, I know that it’s a bad thing.
Really.
The recycle people are not going to know what’s going on at my house for the next three weeks.
I’ve also started looking at comfortable chairs for the room. Ideally, I’d like a nice, leather chair-and-a-half with a small end table and lamp so I can sit in there and read. There’s plenty of room if I get rid of the old computers (plural) and rearrange the room slightly.
But I won’t be getting any of that until the room is done. And rearranged.
And repainted?
Whoa, Nellie! Let’s not get ahead of ourselves. :) The current light sage color that was perfect in 2001 is too pastel for me, now. I think I’d like a dark mocha. Make it more of a man-cave. With, like, six windows. :-/
What goes with dark, hunter green carpet? (Not my choice; the people who sold the house left me dark, hunter green carpet in that one room.)
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Et Tu, Crustulum?
Fortune A few days ago, I went to a Chinese buffet near my office for lunch. It’s not what I’d call great, but it is fairly good and filling. They have good peanut butter chicken, hot and sour soup, broccoli chicken, garlic and zhà cài (榨菜) green beans, chicken on a stick, and mashed potatoes.
Hey, don’t judge me. Good mashed potatoes are a thing of beauty and one should not look a gift potato in the eyes.
OK, that really took an odd turn.
. . . Where was I?
Oh, right. After I was done, the server brought a fortune cookie. I opened it and got what you see to the right.
Seems like even the cookie is judging me. :)
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NaNoWriMo 2014?
NaNoWriMo 2014 Participant I haven’t talked about NaNoWriMo at all, this year. Each year, since 2008, I’ve participated religiously, writing anywhere from 50,000 to 122,000 words in the space of thirty days.
But this year . . . I don’t know. I’ve already proven to myself six times over that I can do exactly that — write a bunch of words in one month. And that’s great. It is. It means that when I put my mind to it and have a road map to follow, I can produce like crazy. But more importantly, here is what I’ve shown myself.
- During NaNoWriMo, I write a lot of words, and sometimes I like those words, but — well, take last year, for example. I wrote > 50,000 words during November, sure. But they were throw-away words. All of them. I’ve since re-structured the entire world of that novel and invalidated every single syllable I wrote last year. All the main characters are now different. The “plot” (such as it was) is different. The world is different.
- Even while writing last year, my heart wasn’t in it. I wrote maybe two chapters worth of actual novel . . . and the other 48,000 words were about the murder victims and the murderer as children, and what led to the crimes. I abandoned my characters shortly after their introduction because, frankly, the story wasn’t at all exciting to me. It bored me so much, I couldn’t even interest myself. (Hence the restructure of the world I mentioned earlier.)
- I have written almost nothing since last November. And in 2013, I wrote almost nothing after NaNoWriMo 2012. Aside from some flash pieces in January and February — for the Codex Weekend Warrior, another timed writing event — I have worked on some stories I already had in the works and half-heartedly pushed a pencil across paper a few times, making notes about my novel series, trying to excitify it to at least regain my own interest.
- I’m afraid that what I’ve managed to do is train myself that only November is for writing (with a tiny bit in January and February), but I don’t have to do it any other time. At Viable Paradise in 2012, we were cautioned about that. To avoid tying writing to other habits. One instructor quit smoking and found that he could not write anymore because he had mentally tied writing with the ritual of smoking. Give up one, the other goes, too. He had to start smoking again in order to get back to writing. November, I’m afraid, has become that, for me.
I haven’t even tried to come up with an idea for something to write. People keep asking me, “Hey, what are you working on for NaNoWriMo, this year?” and I’ve been vague and noncommittal about it. I’ve had several glimmers that forced themselves on me while I was driving or in the shower or just dropping off to sleep, but those are the desperation ideas that mean my brain is humoring me by coming up with ideas at times when I can’t do much about them.
And as much as I’d like to blame how busy I am at work — and I am very busy — I can’t. I’ve made time in the past for NaNoWriMo, even if it meant getting up at 5:00 AM or taking long lunches to write. Even if it meant taking time at Thanksgiving away from my family to write. Even if it meant missing things because I knew that if I didn’t, I wouldn’t make my word-count for the day.
But only during November. Come December 1, I go back to my normal habits.
So, the conclusion I’ve come to is that as much fun as I have had in the past doing NaNoWriMo, and as much as I’d love to have that enthusiasm right now, I just don’t. And therefore will be sitting out this year.
I’m hoping that I’ll motivate myself to at least use the month to come up with something of an outline that will help me regain my enthusiasm for this project. I want to love it, again. I want to look forward to writing it.
Also, I don’t really have a comfortable writing space. Work is out, my living room is hard because there’s usually other distractions. My home office is a place that no sane person would want to spend any time in. (Which, by the way, still leaves me out. I’m pretty sure I’m still sane. Probably.) Perhaps I’ll use November to rectify that and turn my home office into a writing retreat. (Anybody got a flame thrower and an industrial grade paper shredder they’d let me borrow?)
You have no idea how much it actually pains me to sit this year out, but I think it’s the right decision. I stopped going to two of my critique groups because I just haven’t written anything, and the constant reminder of that whilst reading other people’s work was, frankly, depressing. I purposefully didn’t go to any conventions or writing seminars or anything of that sort this year, because if I’m not writing, then there’s no need to pretend otherwise. Why spend money needlessly?
It was an attempt to light a fire under my butt to get me writing. Instead, all it did was de-habituate writing even further.
So that banner up there is a lie. It says “NaNoWriMo 2014 Participant.” But I’m not a participant. I’m a spectator, this year.
Good luck, everyone, on your NaNoWriMo endeavors. I hope you all fly past the goal and keep going into the future.
To reiterate, my “goals” (such as they are) for NaNoWriMo are:
- do some sort of outline for at least the first novel, if not the first few in the series
- turn my office into a place where a sane person (such as myself) would actually want to spend time, and make it conducive to writing.
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Lost in Translation, Part 2
I encountered another one of those things that made me take a moment to step back and say, “Wait a second. That doesn’t make any sense.”
If you don’t recall, I talked about one such thing in an earlier post.
This one is much shorter, and came from both an old pulp story I was listening to on a podcast and some old movies I’ve seen. This is one of those, “Did people ever really talk like this?” things.
The scene: Two people are talking. One of them (BOB) is a crook or dishonest in some way. The audience either knows or suspects this. The other (ALICE) is an “investigator” or another crook. Alice is trying to convince Bob to go along with something, whether it’s telling the truth (if Alice is an investigator) or another con (if Alice is a crook).
Alice makes her case.
Bob (reluctantly) agrees to go along with whatever scheme Alice has presented, starts to walk away, then turns and says, his voice dripping with suspicion, “Say . . . this isn’t some kind of trick, is it?” (Sometimes, it’s “trap” instead of “trick.”)
Alice responds, “Of course not,” and possibly follows up with, “Would I do that to you?”
Of course, whether Alice is an investigator or a crook, there is a better than even chance that it is some sort of trick. And the audience is fully aware of it because the audience is very smart.
Unlike Bob.
I mean, seriously, what would make Bob ask Alice that? It’s a nonsense question with no chance of any answer other than “no.” Whether that “no” is a lie or true depends entirely on Alice’s character.
So why ask it?
I finally thought of a reason for film. In print, the reader is able to get into the mind of the character, but the POV character is almost certainly not going to be Bob, but Alice.
I think maybe having Bob ask that question is a lazy attempt by the writers to give the readers / viewers a peek into Bob’s internal monologue that we couldn’t otherwise see. To let us know that Bob isn’t a total stooge. He knows there’s a chance he’s getting himself into more trouble, but the only way for the lazy writer to let us know this is to have him just come out and ask. For him to willingly go along with whatever scheme it is without question would be to show he’s kind of stupid.
That’s all I can think of, anyway. The other alternative — that he’s asking it because he’s an astute observer of people and can tell when they’re lying and is asking it to force Alice’s inevitable reaction to let him know with certainty what her intentions are — isn’t something I think the pulp writers or screenwriters did, unless Bob was the POV character, in which case he’s asking it for devious reasons.
What do you think?
- Can you imagine the story if Alice stopped, blinked, and then slumped and said, “Yeah, Bob, it was. But you caught me.”
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Ten or More Pieces of Fiction that Changed My Life
There’s this meme going around where people are encouraged to list the ten books that changed their life.
Well, a friend of mine (Terra LeMay) decided to change it to “ten pieces of fiction” because short stories, novelettes, novellas, flash, drabbles, etc. can also be transformative.
My problem is, I simply can’t limit it to ten. On my list of novels, alone, it comes to thirteen. With five more short stories.
So I decided to just toss out the rules and do it my own way. So here is the quasi-meme, “Ten or More Pieces of Fiction That Changed My Life.” With the life-changingness interpreted rather liberally. And in no certain order.
- It by Stephen King (1987)
This was the first book I literally stayed up all night to read (18 straight hours) because I literally could not put the thing down. Literally. It was super-glued to my hand. (OK, not literally.)
I had never seen the story-telling technique he used in this book where each alternate chapter was set in either the present or twenty-seven years in the past, when all the characters were children. And the chapters were from alternating POVs as well. I learned a lot about that type of story-telling from this book.
- The Lion, the Witch, and the Wardrobe by C. S. Lewis (1950)
I don’t list all seven of The Chronicles of Narnia or count all of them as a unit because it was reading that first one that made me want to live in a fictional world and have the story never, ever end. It was one of three books that lit the spark of writing in me.
As an aside, I still want to live in Narnia.
- 1984 by George Orwell (1950)
I was well into my adult years when I first read this, even though I was already very into dystopias. I was blown away by it. My mother got to gleefully say her “I told you so”s because she kept trying to get me to read it as a teenager, but it was Old™ and therefore Not Worth My Time™
Irony Alert: take a look at the publication dates on most of these books. I’m just sayin’. :)
Winston is a very good unreliable narrator, too, which adds a nice touch.
- Brave New World by Aldous Huxley (1932)
Pretty much the same thing. I read it way later in life than I should have, but it’s one of those books I re-read periodically because it’s just so wonderful.
It makes the list because of how well it holds up for something written so long ago.
- The Shining by Stephen King (1977)
This was the very first “adult” book I read. I was in the sixth grade (age 12) and the book had just come out earlier that year. A friend in my class had read it and made it sound deliciously frightening. Up until this time, all the “horror” books I had read purported to be True™ or Based on Actual Events™. (I was heavily into ghost stories and aliens and Bigfoot and the like.)
I got it from the Eutaw Library because I was pretty sure there was no way my mother would let me buy it if she knew what it was about. Shhh! Don’t tell her. :)
I still get chills when I think about the scene where the topiary animals are chasing Danny Torrence.
- The Hobbit by J. R. R. Tolkien (1937)
What can I say about this book that hasn’t already been said? It got me interested in epic fantasy, fat books with a lot of pages, and conlangs (constructed languages and alphabets). (I guess those things have been said, but I repeated them anyway. Because I’m a rebel!)
- The Trouble with Jenny’s Ear by Oliver Butterworth (1960)
This one requires a bit of explanation. I read it in either fifth or sixth grade as part of my teacher’s Individualized Reading program. We would read books from her carefully selected classroom library and then take an oral test on it to prove we’d actually read it. We’d get points based on our knowledge and the reading level of the book. We had to read a certain number of points for each six-week period of the school year.
While I was reading this book, I was relentlessly harassed by the other boys in the class for reading a girl’s book. But it was good, and I didn’t care, and I finished it and enjoyed it, and got my points. I guess it taught me that just because a book is aimed at a target audience doesn’t mean others won’t or can’t enjoy it, too.
- Storm Front by Jim Butcher (2000)
I read a selection of a story I had just started writing in my newly joined critique group. Someone told me that my story and the style I wrote in reminded them of The Dresden Files‘ author Jim Butcher. I’d never heard of him or the series, so I picked up the first book and started reading. It introduced me to the entire genre which I’m now hopelessly in love with: urban fantasy.
And also, I want to be him when I grow up. That there’s already a him and that he’s younger than me are irrelevant.
- A Wrinkle in Time by Madeleine L’Engle (1973)
Another book written “for” girls but which I enjoyed immensely. Introduced me to tesseracts and was one of three books that lit the spark of writing in me.
- The Old Powder Line by Richard Parker (1974)
Also read as part of my teacher’s Individualized Reading program, I think it was the first book I had read where time travel was a major component of the story, and it dealt with sticky issues like what happens if you go back in time to before you were born.
- Dixie North by Herbert Burton (1976)
This one also requires a bit of background. My mother used to be the director of several things (over time) in the Hale County, Alabama education system. Sometimes, this led to her getting book samples. Sometimes, she brought these home to me. Sometimes, I actually read them. This may have been the first piece of fiction I read entirely voluntarily for pleasure. Plus, it was written by an author from Alabama. Who knew that famous writer-type-people could be from Alabama? It’s also one of the books actually aimed at boys, which is probably why I read it in fifth grade, just after it was published.
- Below the Root by Zilpha Keatley Snyder (1975)
To this day, this remains one of the pieces of fiction that my mind goes back to, randomly, from time to time. Such a wonderful story set in an imaginative world. Science fiction, probably mostly for girls, but we come back to that whole ‘audience’ thing.
One of the three books that lit the spark of writing in me.
- The Demu Trilogy by F. M. Busby (1984)
Once more, this requires just a small amount of background. I used to make lists of books for Christmas and birthdays that my parents would distribute to people who wanted to get me something I’d actually use. But this one time, my mother just happened to be walking through a book store, saw this book cover with a cool spaceship and alien worlds on the cover and thought, “I’ll bet Gary would like that,” so she got it. I was in college by this point. I read it . . . and it blew my mind. I’ve read it over and over. It’s just so wonderful. It’s an omnibus collection of three novels and two(?) novellas that ‘fill in the gaps’ between the novels. The ideas presented in this book are just . . . my head just . . . I have no words.
And here are the short stories.
- “There Will Come Soft Rains” by Ray Bradbury (Colliers, May 6, 1950)
- “The Veldt” by Ray Bradbury (The Saturday Evening Post, September 23, 1950 as “The World the Children Made”)
- “All Summer in a Day” by Ray Bradbury (The Magazine of Fantasy and Science Fiction, March, 1954)
- “The Cold Equations” by Tom Godwin (Astounding Magazine, 1954)
- “Dark They Were, and Golden-Eyed” by Ray Bradbury (Thrilling Wonder Stories, 1949, as “The Naming of Names”)
Each of those stories was mind-blowing to me. I read most of them while I was in middle school. They were in my Literature textbook (I believe), and like most kids that age, I read the entire book before school started.
What? You mean most people didn’t do that? What was wrong with them?
Anyway, the stories all stuck with me for years after I read them. I didn’t remember their names or the authors, but was able to find them later by asking a lot of questions online and running across them in anthologies and the like. Now, I’d just Google ’em, but at the time, there was no Google! I know! How did we live?
Anyway, I hope that didn’t bore you too much. If nothing else, it gave me a nice distraction from a frustrating day of debugging code that should work but refuses to. Because it’s clearly sentient and hates me.
- It by Stephen King (1987)
