• NaNoWriMo,  Writing

    NaNoWriMo: Week 1 Report


    Tonight marks the close of the 7th day of NaNoWriMo 2011.

    When I first started making posts about it back in . . . probably August? Maybe even July? . . . I had come to the decision that I did not want yet another incomplete novel sitting on my hard drive, especially with four current ones in development. It just seemed silly. Irresponsible. Overwhelming. And probably a few other choice adjectives as well.

    So I decided to do a collection of 26 short stories. I’ll spare you from me repeating the idea again. The idea was that they were supposed to be short stories. You know, 2000 to 2500 words on average. I’d do one per day, maybe not even in order, and at the end I’d have around 52,000 words. Ample to win NaNoWriMo and it would give me 26 new short stories to play with.

    “A Is for Anchor” currently sits at 10,574 words, and it’s not even close to done.
    “B Is for Bard” currently has 7,547 words, and is also not complete. I know where I’m going with it, at least.
    “C Is for Clowns (that Creep Through Your Yard)” is at 5,700 words even, and is complete.

    “D Is for Dragon” boasts 6,369 words, complete.
    “E Is for Egg” weighs in at 4,975 words, complete.
    “F Is for Fang (that Gets Sunk in Your Leg)” halted at 6,731 and is not complete.1

    “G Is for Gravesite” came in at just 2,204 words, complete.

    At least one of the stories came in around 2000 words.

    This puts me at 44,717 words in just 7 days. If I keep writing at the same rate I’ve been writing so far this month, I will surpass the monthly goal of 50,000 words tomorrow at some point.

    To say that this is unexpected would be tantamount to calling the Pacific Ocean “a bit damp.” I had no idea I could write this much in just 7 days. Hell, I had no idea I could write > 7,000 words in one day (a personal best).

    In just one week of NaNoWriMo, here is what I have learned:

    • At no point in my life can I ever again utter the phrase, “I just can’t find the time to write.” That, to put it bluntly, is bullshit. I’m working the same job for the same amount of hours this week as I was two weeks ago. I still have the same social obligations. I haven’t missed anything important that I normally do. The difference is that I didn’t find time to write; I made time to write. I get up a couple of hours early in the morning and I write. Instead of futzing around on Facebook, Twitter, LiveJournal, YouTube, Google+, and GoodReads during my “free time,” I write. During lunch when I would normally read a book after finishing my meal, I write. When I come home from work, instead of relaxing with a DVD or reading or listening to podcasts, I write. Do you see a pattern? I certainly do. The thing that is important to me—writing—is what I’m spending time on. Anything less important goes bye-bye. I reiterate that during this week, I did not miss one single social event. I attended both writers group meetings, went to a party, socialized with my housemate, socialized with people at work, spent time with my cats, listened to some podcasts (but only in the car or while working when I cannot otherwise write), kept up in a limited way on Facebook… I intend to attend three writers group meetings this week as well as working an extra hour at work for monthly maintenance on some servers I’m responsible for. But right under all of that on my priorities is writing.
    • Never again will I be able to utter the phrase “I just don’t have any ideas.” That is also bullshit. The trick isn’t having ideas, it’s turning them off. The truth is, I get ideas for stories all the time. Usually I dismiss them because they aren’t something I want to write right now or don’t go with anything I’m working on. Sometimes I write them down for ‘later,’ but we all know ‘later’ is never coming. Well, I needed 26 fresh ideas for NaNoWriMo and with the exception of a few tough letters of the alphabet, the problem hasn’t been finding an idea, it’s been finding a good one among all the crappy ones. For ‘S’ as an example, I had to sift through Sulfur, Saturn, Sinister, Silo, Silver, Sylph, Sand, Scraps, Solid…for each word that occurred to me, the tiny sliver of an idea would come with it. Was Silver a story about werewolves? Did Solid involve an alien able to exist in any state of matter? Did Silo have to do with an abandoned missile silo in a post-apocalyptic world? Maybe. Some of the others were probably just as good. But when Skullcosm finally came to me, I knew that was my S-word. And even inside that world, the story itself could take any of a number of shapes, one of which I’ll pick. Perhaps at the moment of coming up with a character name on the morning of the 19th. So, yeah. I have ideas. I just discard most of them. This week has taught me that some of those stories should probably get written sooner and not later, and certainly not never.

    I also know that I cannot sustain 6000+ words per day. It is too wrist-intensive for one thing, but it also promotes quantity over quality, which is just fine and dandy for NaNoWriMo; not at any other time, however. Sure, there’s something to be said for getting a story down that’s way too long and then whittling away all the parts that aren’t the story I want to tell and leaving the only the bits that are behind. And that will most certainly be done with each of these when November is in the rearview and Christmas is hurtling ever closer.

    December is always about the loss of momentum for me. NaNoWriMo is over! Whew! Time to parTAAAAAY! And by ‘parTAAAAAY’ I mean goof off. But I am going to try to make an effort to at least keep the momentum going.

    Sometime in December, I’ll be recording myself reading one of my stories for a podcast. I haven’t decided which one, yet, but I’m heavily leaning on “D Is for Dragon” or “G Is for Gravesite” right now. It’s a pretty low-key podcast called The Quillian Chronicles, and is produced by members of my Second Life writers group as a way to foster participation by producing our stories in audio format for free distribution to the listening public.

    Have I mentioned that I loathe the sound of my recorded voice? <sigh>


    1. I had a false start with this one and got 617 words in before realizing I had started at the wrong spot and with the wrong POV, so I started over. I count the 617 words in my total word-count (this is NaNoWriMo and every word counts), but not in the story total given here.

  • NaNoWriMo,  Writing

    This Is Why I Love Writers

    "Reference Shelves"  © 2011 by Kevin Grocki
    References

    As you may be aware (because I keep telling you), NaNoWriMo rapidly approacheth.

    I’ve been hanging out on the forums a little this year, hoping to participate a bit more than I did last year (which was not at all). I ran across a whole forum for asking questions. Otherwise known as “The Reference Desk.” These are questions where you’ve exhausted what you can find out yourself and are now hoping someone else participating in the forums is an expert—or is at least knowledgeable—in that area.

    This is why I love writers. There’s a quote I’ve seen recently, but I could not find the source, no matter how I flogged Google, but Rick Castle on the awesome series Castle paraphrased it nicely.

    There are two kinds of folks who sit around thinking about how to kill people: psychopaths and mystery writers. I’m the kind that pays better.

    Here’s a sampling of some of the subject lines that I find particularly amusing.

    Help with a new fictional element or molecular compound
    Scars – from accidents, in non-obvious places
    Anyone born in the forties
    Things that knock together
    Why would a married couple cook two different meals simultaneously?
    Decomposition of Human Bodies?
    How Does One Sustain Optic Nerve Damage?
    Werecat Myths
    Pregnancy – Funny Moments
    Poison Which Doesn’t Quite Kill You
    Tourism in Egypt
    Slit Veins – How Long Do You Have Until You Die?
    Killing Someone to Drive Down Stock Prices

    Maybe it’s just me, but I find that extremely funny. And this goes on for more than 32 pages of threads, where each page displays 20 threads.

    I honestly hope that I’m never suspected of committing a murder, because if the authorities were to obtain my search history from Google, it would be all over. I’ve searched many topics similar to the ones above, such as “What chemicals are used in lethal injection?” “How long does it take pentobarbital to kill an adult male?” “How long does a person live if shot in the lung?” And that old standard, “Where to dispose of a body.”

    That kind of thing. This forum and those thread topics tells me that these are mah peepz, yo.

    I have a feeling I will be using the forums a lot this year. :)


    As it turns out, H is not for Hive, as I thought it would be. H Is for Haunting. The whole story popped into my head last night while I was dropping off to sleep, and I managed to retain a good bit of it, and am writing down ideas in my Moleskine notebook (of awesomeness) as the day goes. I was stuck on H for days. Maybe the remaining 17 letters will come faster.

    Hear that, Muse? I’m talkin’ to you.

  • Writing

    Hi. My Name Is Gary, and I’m a Papyrophile.

    "Moleskine Brand" © 2005 by boy avianto
    Moleskine

    <This is where you all say, “Hi, Gary!” at the same time.>

    <No, go on and do it.>

    <I’m not going to continue until you do it.>

    <I’m waaaaiiiiitiiiiiing.>

    <Thank you.>

    Some people collect unicorns. Some collect turtles. Some collect mementos1 from a favorite movie or TV show, or autographs.

    Others collect everything, and we call these people “hoarders.”

    I have always been a fan of notebooks, notepads, clipboards, different types of paper . . . as far back as I can remember. I have a whole closet in my office at home replete with this kind of thing. It is with some degree of difficulty that I’m able to stop myself from buying more even though I have enough to last me many, many years.

    Of course, when I buy really cool notebooks or notepads, I don’t want to use them because . . . well, they’re really cool. Somewhere in my house I have a notebook where the covers are made of computer circuit boards sanded smooth. No one has ever seen this because it’s really cool and using it would reduce the really coolness.

    You see how this could become a type of trap, I’ll bet.

    The other night, I went to a special Thursday night session of my Tuesday night writers group. I thought I might need to take notes, but alas! alack! I had no notebook. At all. (Because all of my really cool notebooks are locked in a closet in my office at home.)

    The book store didn’t, of course, carry simple legal pads, which is all I wanted, really.

    But what they did have were Moleskine notebooks. A lot of them. I neeeeeeded something to write on. Really. So I bought a three-pack of dark red Moleskine notebooks. But this time, I was determined to actually use them even though they are really cool.

    Of course, I needed to take no notes at all. So at the end of a more-than-two-hour meeting, my Moleskine was unsullied by ink or graphite.

    I wanted it sullied. I wanted it sullied in the worst possible way.2 But every moment of unsullied . . . ness was one moment closer to these three really cool Moleskine notebooks finding their way into my closet.

    I brought them to work with me on Friday morning, thinking surely I’d find a way to sully them. Or at least one of them. Surely.

    But . . . I didn’t want to use them for work. (There. You see how this starts? A really cool notebook shouldn’t have mundane things written in it, like notes from a silly meeting or phone conference. A really cool notebook needs to have really cool things written in it.)

    When I went to lunch, I took one of them with me. The intent was to use the notebook to work through some ideas for my alphabet series of short stories I talked about the other day. I was stuck at the time on the letter F.

    I took along my favorite pen. (Which, incidentally, I also seldom use because it’s really cool and I might lose it or chip it or damage it in some way. See how this goes?)

    Well . . . I did it. I wrote “F Is for Fangs” at the top of the first page and . . . and . . . took notes! In my really cool Moleskine notebook using my really cool ACME Writing Instrument. And then put “D Is for Dragon” on the next page. And “H Is for Hive” on the one after that. And “G Is for Gravesite” on the one after that.

    Sullied! I have sullied my Moleskine notebooks! I even crossed some stuff out so it’s not perfect.

    If you knew how big a step this is, you would not now be making that face and thinking about rotating one hand at your temple in the international symbol for “one ring short of a binder” or making that “cuckoo” sound. Yes, I know what you were thinking. I mean, come on . . . it was obvious.

    I thought I had lost said sullied notebook, but today I found it and made some more story notes, including a snippet of dialogue for “D Is for Dragon,” which I’m going to have a lot of fun writing.

    One page for each letter of the alphabet will use 26 whole pages.

    Oh, and Z? It’s for Zombie, and these are the stories that keep sleep from me. “Zombie” and “from me” kind of rhyme . . .

    Disclaimer: This post may not be used to establish or confirm any lack of sanity that may be hinted at by the contents thereof.


    1. Every time I see this word, my mind says, “The Fresh-Maker!”
    2. Well, that’s not true. The worst possible way would be to give them to Snooki and have her pen her next best-seller on them. Oog. I think I just threw up a little in my mouth. But I digress.

  • NaNoWriMo,  Writing

    The Mind Is a Terrible Thing

    "Brain Vocab Sketch" © 2009 by Zachary Veach
    Brain

    I hate my brain, sometimes. Really.

    See, NaNoWriMo is coming up soon, and I have 26 short stories to plan out. I am flogging my brain on what to do with ‘e’ and ‘f’ (the story I want to tell could go with either letter, but I can’t come up with a suitable rhyme for the other one, no matter which one I assign the story to). I was at lunch, reading a book on writing horror, and hoping that my subconscious mind was hard at work on the ‘e’ & ‘f’ problem. Oh, it was hard at work, all right. But I digress.

    The book I’m reading is On Writing Horror: a Handbook by The Horror Writers Association edited by Mort Castle. The particular essay is “Avoiding What’s Been Done to Death” by Ramsey Campbell.

    The passage I read is as follows and is reproduced without any sort of permission whatsoever, but I think it’s covered by fair use.

    But it’s the job of writers to imagine how it would feel to be all their characters, however painful that may sometimes be. It may be a lack of that compassion that has led some writers to create children who are evil simply because they’re children, surely the most deplorable cliché of the field.

    I got to the end of that and was interrupted by my subconscious. It tapped me on the shoulder, metaphorically speaking, and very quietly handed me a memo, then went back into its (dank, dark) lair.

    It wasn’t about ‘e’ and ‘f’. Not at all. In fact, what it was was a completely reworked motivation for my antagonist character in the novel Perdition’s Flames on which I’m currently working, and am about 60,000 words into.

    So, you know, now is just the perfect time to inform me that my motivation for this character has been all wrong, and that I need to introduce yet another character . . . in chapter 4 or so.

    I’m writing chapter 21.

    To be fair, my subconscious knows that I needed to introduce this character in this book to establish her so that my main character and she could have a relationship in the second novel. But still, really, subconscious? Really?

    So I wrote all that down in my ever-handy notebook. And now I really need Mr. Subconscious-guy to go ahead and work on this stanza:

    D Is for Dragon,
    E Is for Egg;
    F Is for [Something], [a phrase ending with a rhyme for ‘egg’].

    Or, alternatively

    D Is for Dragon,
    E Is for [I don’t even know];
    F Is for Fertile, [some phrase ending in a word that rhymes with the E-word]

    So, get right on that, Mr. Subconscious. I know you’re listening. You always listen.

    Even when I don’t want you to.

  • Writing

    When Ideas Attack! (Next on Fox!)

    The Idea
    The Idea
    It never fails. When I really really should be doing something else, that’s when ideas come to me.

    Alternatively, they come to me when I can least do anything about them, like while I’m in the shower or driving. Luckily, keeping a notepad and pencil in the shower (hey, don’t judge me) and a digital voice recorder in the car have solved those particular problems.

    Today, I need to finish something else up. But I keep getting side tracked by this little voice in my head.

    Every year, I participate in NaNoWriMo, which if you do a little looking around on this site, you’ll find several references to. The goal during National Novel Writing Month is to write a complete novel of 50,000+ words in just the 30 days of November. You can plan and plot and world-build and character-develop all you want before that; but the entirety of the words of the novel itself must be composed between midnight of November 1st and midnight of December 1st.

    Last year, I ripped NaNoWriMo a new one, to put it indelicately. I wrote 78,000 words, then went on to write another 15,000 words or so to get my time travel novel (Killing Time) done.

    But this year, I have four unfinished novels, dammit. I don’t need to start another one. But I want to participate. And yeah, I could use the month to concentrate on finishing one of the unfinished novels, but…well, I don’t want to. I think part of the fun of NaNoWriMo is the thrill of writing something new.

    For the last month or so on the podcasts Escape Pod, PodCastle, and PseudoPod, they have run promos for a series of 34 stories co-written by four well-known authors (Tim Pratt, Jenn Reese, Heather Shaw, and Greg van Eekhout) that are collectively called “The Alphabet Quartet.” Each story title starts with a different letter of the alphabet.

    You may be wondering two things right now. One: Why are there 34 stories if there are only 26 letters in the English alphabet? Two: What do all these disparate, seemingly unrelated facts have to do with the price of tallow in Ecuador? I’ll take those in order.

    One: There are 34 because although there were originally 26, some of them were published elsewhere, and the magazine that agreed to publish them (Daily Science Fiction) wanted original works, so the quartet wrote brand new ones to replace the ones that had already been published elsewhere. But those of us who contribute to one of the three Escape Artists podcasts (listed above) get all 34. Because we’re special.

    Two: I’m about to tie it all together. Stand back. Watch me.

    I’ve been trying to come up with some ideas lately for shorter works that I can play with. Stuff that doesn’t require a bunch of world-building, character development, and plotting. When I heard about the Alphabet Quartet, my brain seized on the idea of writing 26 stories, each one beginning with a different letter of the alphabet. It was a cute idea. I filed it away.

    A day or two later, a rhyme from Sesame Street long past (which was also featured in the film E. T.: The Extra-Terrestrial) popped into my head: “A is for Apple. B is for Ball. C is for Cat that sits on the wall.”1 It played over and over in my head.

    Eventually, I put the ideas together. To wit: I should write 26 short stories, each beginning with a different letter of the alphabet, but the titles themselves should make a little doggerel rhyme of that sort.

    I jotted down a few ideas in Evernote. I tried to come up with single-word titles beginning with each of the 26 letters of the alphabet in such a way that each three-letter combination formed a ‘stanza.’ But the words had to be evocative; that is, they have to conjure up several ideas. They have to give me a spark. And I have to be able to rhyme the final word of the third line of each stanza with the second title. Think that sounds easy? I’m not a poet. :)

    Oh, here. This will explain it better than I’m doing.

    A is for Apothecary,
    B is for Bard;
    C is for Clowns that creep through the yard.

    D is for Dragon,
    E is for Earth;
    F is for Forgetting what some things are worth.

    G is for Graveside,
    H is for Him;
    I is for Innocence wrapped up in sin.

    J is for Justice,
    K is for Kiss;
    L is for Lightning: a strike or a miss.

    etc. You get the idea.

    The third line of each stanza will give a clue to what that letter’s story should be about. And I’m not saying that these are by any means the final choices. Each alphabet word gives me a number of ideas. I especially like “C is for Clown” and “U is for Uranus.” Those are the two for which more or less complete story ideas popped instantly into my head.

    So, the idea that came to me while I was trying to do something else—which then inspired me to write this post, which further keeps me from that something else—is that if I write 26 stories of about 2000 words each (on average), that’s more than enough words to win NaNoWriMo, and it gives me a finished “work,” even if it’s not a novel.

    Now, if you remove the four days of holiday at the end of November (where we here in the US celebrate Thanksgiving)…well, golly! That equals 26, doesn’t it?

    I think this sounds suspiciously like my brain done went and ambushed me with a plan! :)


    1. The irony of this is that I can find no reference of this anywhere on the Internet. I distinctly remember it, yet I’m probably wrong. It would be amusing in the extreme if my misfiring memory of something that never existed sparked this idea. When I get home, I’ll see if I can find ET and watch that sequence to see what it actually says. The one screen capture I saw online shows Drew Barrymore standing in front of a TV on which is displayed “B is for Banjo,” and it is on a wall.

  • NaNoWriMo,  Writing

    Too Many Irons in the Fire

    Iron Smelting by hans s, on Flickr
    Creative Commons Attribution-No Derivative Works 2.0 Generic License  by  hans s 

    I’ve found it difficult to write, lately. I don’t know exactly why, except that maybe I have too many projects in progress at once. See if you agree.

    I have a novel-in-progress that was my 2008 NaNoWriMo novel. It’s a high fantasy with lots of magic, five main characters, a quest, really evil bad guys, prophecy…and had been knocking around inside my skull for more than two decades when I finally decided it was time to do something about it. I wrote about 1/4 of what I envision taking place in the novel, and was still at 51,115 words. Now it’s hanging out there, mocking me, waiting for editing. It’s called The Third Prophesy.

    And I have a novel-in-progress that is an urban fantasy similar to Jim Butcher‘s The Dresden Files books. So similar, in fact, that I worry that someone may think I stole the idea, but honestly, I started writing it before I’d read any of his books. It’s about some GBI agents that belong to a paranormal investigation group within the bureau and a tough-as-nails Atlanta PD detective who work to solve a string of bizarre murders in Atlanta. Committed with magic, of course. I’m about 38,000 words into this one, and have kind of reached a snag because I need to add a new character, but he needs to have been there since Chapter 2, and I’m in Chapter 9. Whoops. It’s called Perdition’s Flames.

    And I have a novel-in-progress that is the second in the series I mention above. I did this one for NaNoWriMo 2009, because I had a fantastic idea and had to write it down. So I’m 53,122 words into that one, and am almost done. I’ll have to go back, of course, and flesh it out a bit. In this one, the investigators from the first book solve another, even weirder string of murders committed using magic. This one is called Death Scene.

    And if that weren’t bad enough, I have ideas for the next two books in that series, but nothing concrete enough to start writing. Just a bunch of hand-written ideas in a notebook I keep with me constantly. One of them is tentatively called Lethal Allure, but I think that will change.

    Let’s see, what else?

    Ah, yes. I have three novelette- or novella-length stories on back burners, waiting for inspiration. Two are finished, and I’ve workshopped both of them…but my critiquers found them…lacking. The third is in a limbo state of being half written and half in my head. All three are hard science fiction.

    I’m working on a hard science fiction story set on Mars. I’m revising an urban fantasy/dark fiction short story involving a vampire.

    All in all, I think I have twelve short stories in various stages of completion. They range from pure horror to high fantasy, dark fiction, humorous sci-fi, urban fantasy, and a couple that don’t really fit any conventional genre. And they range in length from a 1200-word snippet to something along the lines of 7500 words.

    And yet I can’t write. I sit down and the words…just don’t come. I can write this stuff all day, of course. :)

    I think I need a kick in the pants. Maybe literal, but I’m hoping for figurative. :)