Writing

On Tribes…

Paradise Lost 6
Paradise Lost 6

Pictured to the right are the attendees/students, instructors, and organizers of Paradise Lost 6, held in San Antonio, TX, from April 28 to May 1, 2016. I have been very slug-like in getting around to posting about it, in spite of the fact that it ended a week ago. But I’ve been busy. That’s my excuse.

That’s me on the left, peeking out from between Anna and Rosie. I loathe pictures of me, but everyone else looks fantastic, so I’ll allow it.

Paradise Lost is open to writers who have been to the Viable Paradise or Taos Toolbox writing workshops, or who are members of the online Codex writing group (which has membership requirements including juried workshops (such as Viable Paradise, Clarion, Taos Toolbox, Odyssey, etc.), or publication).

Organizing the entire thing was Sean Patrick Kelley. His able assistant was Peter Sursi. Our instructors were Walter Jon Williams, Fran Wilde, Jaye Wells, and Ken Scholes.

For reasons that remain opaque to most everyone who knows me, I decided to drive from Atlanta, GA to San Antonio, TX. It’s a 16-ish-hour drive, so, heeding advice from a good friend, I split it into two days and took it slightly easier. Both there and back.

Four other graduates from my year at Viable Paradise XVI (2012) were there. It was great to see them all again. I won’t do a lot of name-dropping here, because there were 20 others besides me there, and, frankly, it would take a long time to find and link all those sites. :)

The highlights: the lectures by the pros (one of which was an exercise about supply lines that actually made me think about something that needed to be thunk about in my novel, so yay!), the social times, the dramatic (some might say ‘melodramatic’) reading of Chuck Tingle’s Hugo Award Nominated Space Raptor Butt Invasion. It was . . . special. Very . . . special.

I pretty much can’t say enough positive things about this experience. If you have the means and the opportunity to go, do look into it. It’s four days of being around amazing people who are also all writers, story breaking, talking shop, drinking, playing games, playing music, dramatic readings of really bad erotica . . . I’m told there was even some actual writing that got done! :)

There are two “tracks”: a critique track and a retreat track. The critique track is just what it sounds like: you submit up to five thousand words of something you’ve written and (this year) two instructors/pro writers and six fellow workshoppers read and critique it. This year, the critiques for all seven manuscripts took place over two sessions (before and after lunch) on one day. The Milford method was used: the author stayed quiet while each of the critiquers got up to 3 minutes to hit their main points. It went in a circle, then the professionals each got . . . basically as long as they liked to make their points. There was a lot of dittoing and anti-dittoing. And bad puns. :) Then, at the end, if the author wished, s/he could briefly address any comments brought up during the critique. It’s a handy method, and one I’ve used before that works if everyone’s kind of on the same level, and there aren’t too many people in the group. :) As it was with seven authors per group, each person had to read and critique about 30,000 words in the two(ish) months leading up to the workshop. Not too bad.

The retreat track is there to just get away from all the big, hairy nonsense that interrupts their writing when they’re at home (kids, spouses, bills, work, laundry . . . life) and just write. I think next time, this is what I’m going to do. There was still puh-lenty of time to do all the social stuff and get writing done, or so I was told.

The best part for me was that two of my fellow Paradisians were able to give me some inside information on some things I need to know about aspects of my novel that I know nothing about: government and law enforcement. A bonus I’m over the top about, and which I was totally not expecting. This is why critique groups are so useful! People have a very particular set of skills, skills they have acquired over very long careers. Skills that make them a rainbow-farting unicorn-dream for people like me, who don’t have those skills, but need to sound convincing in my manuscripts. Or, as one instructor said, you have to do the research to know what you’re talking about before deliberately breaking the rules for the sake of story. (Paraphrased.)

Anywho, as I said, you should definitely give it a go if you can, and you write science fiction, fantasy, or horror. Or, to put it in Internet terms everyone will understand: A++++++++++++!!!!! Would attend again!!!!!!!


  1. Which means sixteen uninterrupted(ish) hours of podcasts I got to listen to. It barely made a dent in my backlog, but it was a nice start.
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Gary Henderson is an amateur author who lives in the Greater Atlanta Metropolitan Area with a chef housemate. By day he is a mild-mannered software developer working for a major health-care company. By night and on weekends, he occasionally creates and destroys worlds.

9 Comments

  • Barbara Tate says:

    So glad you got to go. Sounds like you learned a lot, and you got to visit with some old friends. I can’t believe you drove. I am getting geared up for my eight drive home to Arkansas. Ugh.

    • Gary Henderson

      It was (just barely) cheaper than flying, and I love listening to podcasts. So it worked for me. Also, not having to go through TSA and being able to take along whatever I wanted? That was just too good to pass up. :)
      Gary Henderson recently posted…On Tribes…My Profile

    • Gary Henderson

      “Favorite” is such a . . . subjective word. :) I have many favorites. It just so happens that I have a page here, on this very site, about the podcasts I listen to! :) It’s not up to date, because I’ve abandoned one or two and gained several more since I last updated it, but I’mma go do that right now, then I’ll come back here and link the page. :)
      Gary Henderson recently posted…On Tribes…My Profile

  • Tyler Flood

    That’s quite near me, I’d really like to participate but I don’t write at the moment – I’d like to learn writing and talk to some professionals in the field

    • Gary Henderson

      There are a lot of local writing groups in and around the San Antonio area. I Googled ‘san antonio area writing groups’ and got quite a few results. Also, check on Meetup[.]com and you’ll find a lot. The way I found my local group was to go into a book store and they had a list of upcoming events, and a writing group was on it. That was 2008, and I’ve been going weekly ever since. Another group I belong to was on Meetup, and I went until they were no longer at my level (it was for beginners, and I feel like I’ve leveled up since then).

      Depending on what you like to write (or would like to write), there is almost definitely something out there for you, and at whatever level you’re at, whether that’s newbie or old hack.

      Writers groups can be awesome if they’re a fit for you. Don’t feel bad about giving different ones a visit to see what they’re like. We get what we call “drive-bys” quite often. Some stay, some don’t. The ones that don’t, we weren’t right for them.
      Gary Henderson recently posted…On SchedulingMy Profile

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